Prices might not embody ticketing use charges. Full reviews of new concerts: nytimes.com/music.
The Allman Brothers Band (Friday, Saturday, Monday, Tuesday and Thursday) This classic Southern stone rope is still on a road. Gregg Allman, a band’s keyboardist and categorical singer, is some-more than ever a core given a co-founder, Dickey Betts, is disloyal from a group. His replacement, Warren Haynes, shares a twin-guitar passages with Derek Trucks, a nephew of a band’s drummer, Butch Trucks, and a jam-band personality in his possess right. At 8 p.m., Beacon Theater, 2124 Broadway, during 74th Street , (800) 745-3000, beacontheatrenyc.com; $50.99 to $150.99. (Jon Pareles)20110310
Black 47 (Thursday) This rope plays Irish area song from a Bronx, not Dublin; a heart is on Bainbridge Avenue, a area where new Irish immigrants accommodate a New York mosaic. In Black 47’s songs, jigs and reels filigree with rock, hip-hop and extreme amicable commentary. With a Lia Fail Pipe Band. At 7 p.m., B. B. King Blues Club Grill, 237 West 42nd Street, Manhattan , (212) 997-4144, bbkingblues.com; $25 in advance, $30 during a door. (Pareles)20110310
★ James Blake (Monday) Mr. Blake is frequently referred to as an electronic composer; his self-titled entrance full-length is fractured and structurally indeterminate in a proceed that defies easy categorization. He is loosely dependent with dubstep, a bass-heavy British dance phenomenon, though a sheer “James Blake” (Universal Republic) doesn’t sound like anything else (except, each once in a while, a new Radiohead manuscript it preceded). At 9 p.m., Music Hall of Williamsburg, 66 North Sixth Street, Brooklyn , (800) 745-3000, musichallofwilliamsburg.com; sole out. (Amanda Petrusich)20110310
Budos Band (Friday) With a vintage-tweaked mix of horns, palm percussion and Farfisa organ, a Budos Band earns a self-description as a manuscript of “instrumental Staten Island Afro-soul.” With a Jay Vons. At 8 p.m., the Bell House, 149 Seventh Street, Gowanus, Brooklyn , (718) 643-6510, thebellhouseny.com; sole out. (Nate Chinen)20110310
The Chieftains (Wednesday) The Chieftains spearheaded a reconstruction of Irish normal music, personification usually a oldest instruments: fiddle, harp, wooden flute, uilleann pipes, bodhran, tin whistle. Then they motionless that Irish tradition wasn’t adequate and started to demeanour over afield: to Spain, to China, to rock. But they have mostly returned to their Irish core, and there’s a good garb behind a shtick. With Paddy Moloney. At 7:30 p.m., New Jersey Performing Arts Center, 1 Center Street, Newark , (888) 466-5722, njpac.org; $23 to $92. (Pareles)20110310
★ Clogs (Saturday) Clogs, that began as a partnership between Bryce Dessner and Padma Newsome (Mr. Newsome spasmodic contributes to Mr. Dessner’s other band, a National) is something of a exemplary ensemble, nonetheless it borrows heavily from rock, avant-garde, folk and universe traditions. The organisation — it’s now a party — expelled a fifth album, “The Creatures in a Garden of Lady Walton” (Brassland), final year. For this show, they’ll be behaving with a Brooklyn Youth Chorus, presenting debuts (by Mr. Dessner and Mr. Newsome) for chorus, for Clogs, and for a dual groups together. Part of a Ecstatic Music Festival. At 7:30 p.m., Merkin Concert Hall, 129 West 67th Street, Manhattan , (212) 501-3330, kaufman-center.org; $25, $15 for students with ID (discount accessible usually during a box office). (Petrusich)20110310
Deerhoof (Monday) An brave art-pop rope from San Francisco, Deerhoof pits odd, shape-shifting orchestration opposite a vocalist Satomi Matsuzaki’s soft, giggly mews. The formula can be disorienting or playful, though they’re roughly always compelling. With Ichi and If by Yes (Yuka Honda and Petra Haden). At 8 p.m., Le Poisson Rouge, 158 Bleecker Street, nearby Thompson Street, West Village , (212) 505-3474, lepoissonrouge.com; $20 in advance, $22 during a door. (Petrusich)20110310
Doveman (Wednesday) Doveman is a alias of a pianist and composer Thomas Bartlett, who is many famous for his collaborations with better-known indie-rock bands (Grizzly Bear, Antony and a Johnsons, a National). They’re propitious to have him; his solo work is hushed, zealous and mesmerizing. With Martha Wainwright, Dawn Landes, David Thomas Broughton and Elysian Fields. At 10 p.m., Le Poisson Rouge, 158 Bleecker Street, nearby Thompson Street, Greenwich Village , (212) 505-3474, lepoissonrouge.com; $15. (Petrusich)20110310
Dropkick Murphys (Friday) Formed in a Boston area in 1996, Dropkick Murphys play plain-spoken punk with some unruly Irish roots and offer no forgiveness for posers or phonies. With Against Me!, a pop-punk rope from Florida that recalls Bad Religion. At 6:30 p.m., Roseland Ballroom, 239 West 52nd Street, Manhattan , (800) 745-3000, roselandballroom.com; $30.50. (Pareles)20110310
Fang Island (Friday) Brooklyn has no necessity of indie-rock bands done adult of former art propagandize students, though Fang Island avoids a customary lo-fidelity approach, personification elaborate power-pop that doesn’t skimp on flourishes. With Hollerado. At 9 p.m., Bowery Ballroom, 6 Delancey Street, nearby a Bowery, Lower East Side , (800) 745-3000, boweryballroom.com; $13 in advance, $15 during a door. (Petrusich)20110310
Godspeed You! Black Emperor (Monday by Wednesday) Godspeed You! Black Emperor conjures gloom, entropy and confused contemplation. It uses guitars, drum fiddles, violins and drums to sound like a multiple of Pink Floyd circa 1969 with Philip Glass organised for strings. The organisation plays revolving patterns of minor-key chords during a dash only above a standstill, afterwards works adult to martial climaxes; each so mostly a available voice intones something like “The skyline was pleasing on fire, all disfigured steel stretching upwards.” The rope is personification a initial New York City shows in 8 years. On Monday during 8 p.m., Terminal 5, 610 West 56th Street, Clinton, (800) 745-3000, terminal5nyc.com; sole out. On Tuesday and Wednesday during 8 p.m., Brooklyn Masonic Temple, 317 Clermont Avenue, during Lafayette Street, Fort Greene , (866) 468-7619, masonicboom.com; sole out. (Pareles)20110310
★ Robyn Hitchcock, Joe Boyd (Friday) In 1981, after a retraction of his new-wave punk rope a Soft Boys, a thespian and songwriter Robyn Hitchcock started a solo career, and for this surprising uncover he’s teaming adult with a mythological writer Joe Boyd, who was innate in Massachusetts though engineered many of a British folk transformation of a 1970s. (He worked closely with artists like a Fairport Convention and Nick Drake.) Mr. Boyd will be reading tools of his memoir, “White Bicycles,” while Mr. Hitchcock will, in his words, “sing a songs he worked on or was concerned with, a songs we grew adult with — we also ask him questions and interrupt, like a child that wants to be partial of a story. The story is a large partial of me.” At 7:30 p.m., Le Poisson Rouge, 158 Bleecker Street, nearby Thompson Street, Greenwich Village , (212) 505-3474, lepoissonrouge.com; $25 in advance, $30 during a door. (Petrusich)20110310
Jolie Holland (Wednesday) Ms. Holland’s lush jazz vocals are a constrained compare for her extremely some-more rickety country-folk; listening to her perform feels a small bit like wearing high heels and lipstick in a barn. With Shazad Ismaily. At 9 p.m., Zebulon, 258 Wythe Avenue, nearby North Third Street, Williamsburg, Brooklyn , (718) 218-6934, zebuloncafeconcert.com; $12. (Petrusich)20110310
★ Elton John (Wednesday) Fresh off an acclaimed partnership with Leon Russell — their corner album, “The Union” (Decca), was constructed by T Bone Burnett and featured Brian Wilson, Don Was, Booker T. and Neil Young — a matchless Elton John is re-embracing his cocktail roots, rolling out “all hits, all night live.” (There are many, many hits.) Also Mar 20. At 8 p.m., Madison Square Garden , (800) 745-3000, thegarden.com; $36.50 to $156.50. (Petrusich)20110310
Steve Martin and a Steep Canyon Rangers (Monday by Thursday) It’s healthy to be doubtful of actors creation presumably dilettantish forays into music, though a actor-comedian Steve Martin has been personification a banjo given he was a teenager, and his bluegrass album, “The Crow: New Songs for a Five-String Banjo” (40 Share), is a desirable and achieved effort. (Mr. Martin also done his Grand Ole Opry entrance in 2009, and if that isn’t validating for a bluegrass picker, what is?) On Monday during 8 p.m., Highline Ballroom, 431 West 16th Street, Chelsea, (212) 414-5994, highlineballroom.com; sole out. On Tuesday by Thursday during 7 p.m., Joe’s Pub, during a Public Theater, 425 Lafayette Street, during Astor Place, East Village , (212) 967-7555, joespub.com; sole out. (Petrusich)20110310
Murs (Saturday) This rapper from Los Angeles has been releasing albums — on his possess and with his several collaborators — usually given a late 1990s, and he frequently rails opposite what he considers a vagaries of hip-hop culture. (In “Everything,” he pleads: “This swat competition is no place to lift a child in/What’s wrong with smiling? What’s wrong with peace?”) His many new record, “Murs for President” (Warner Brothers), is his initial for a vital label. With Tabi Bonney, Whole Wheat Bread, Ab-Soul and DJ Foundation. At 9 p.m., Music Hall of Williamsburg, 66 North Sixth Street, Brooklyn , (800) 745-3000, musichallofwilliamsburg.com; $15. (Petrusich)20110310
The Pogues (Tuesday by Thursday) Although a Pogues, a rowdiest of a unruly Irish punk bands, haven’t expelled a new record given 1996’s “Pogue Mahone” (which, incidentally, didn’t underline a frontman Shane MacGowan), a rope reappears each year around St. Patrick’s Day, swelling a bit of rebellious Irish cheer. With Titus Andronicus on Tuesday and Thursday and a Slo Gos on Wednesday. At 8 p.m., Terminal 5, 610 West 56th Street, Clinton , (800) 745-3000, terminal5nyc.com; $65 in advance, $70 during a door, sole out on Thursday. (Petrusich)20110310
The Rural Alberta Advantage (Saturday) A contingent from Ontario, a Rural Alberta Advantage plays whimsical, keyboard-filled indie-folk: there are declarations of love, twittering percussive pieces and only a right volume of earnestness. With Pepper Rabbit and a Loom. At 9 p.m., Knitting Factory, 361 Metropolitan Avenue, during Havemeyer Street, Williamsburg, Brooklyn , (347) 529-6696, bk.knittingfactory.com; $15. (Petrusich)20110310
★ Lucinda Williams (Friday and Saturday) Ms. Williams has been recording nation song given a late 1970s, though it wasn’t until a mid-1990s — when she gradual her gusto with grittier elements, folding in stone ’n’ roll, folk, nation and a small bit of punk — that she was embraced by a (now breathless) press. Her latest LP, “Blessed” (Lost Highway), reflects a bit of newfound optimism. At 6 p.m., Webster Hall, 125 East 11th Street, East Village , (800) 745-3000, bowerypresents.com; sole out. (Petrusich)20110310
Pete Yorn, Ben Kweller (Friday) In 2009, Mr. Yorn, a thespian and songwriter, expelled “Break Up” (Acto/Rhino), a low-pitched partnership — formed loosely on a partnership between Serge Gainsbourg and Brigitte Bardot — with a thespian Scarlett Johansson. He followed it adult with something a small some-more raucous: a new self-titled album, constructed by Frank Black of a Pixies. Ben Kweller’s latest release, “Changing Horses” (ATO) — a feeling nation record in a suggestion of Gram Parsons and Waylon Jennings — sees Mr. Kweller, an indie-pop thespian and songwriter, revisiting his Texas roots. (He recently returned to his home state after logging scarcely a decade in Brooklyn.) With Anthony D’Amato. At 8 p.m., Terminal 5, 610 West 56th Street, Clinton , (800) 745-3000, terminal5nyc.com; $29.50 in advance, $34.50 during a door. (Petrusich)20110310